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    <loc>http://www.willsylvester.com/am-i-going-too-fast</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2016-09-07</lastmod>
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      <image:title>Am I Going Too Fast - "Am I Going Too Fast?" a short film by Hank Willis Thomas and Christopher Myers</image:title>
      <image:caption>"Am I Going Too Fast?" is a digital tapestry of the intersecting worlds and interactions of craftspeople, shopkeepers, and ordinary folks whose lives have been transformed by new technologies, cell phone banking, and micro-finance; threads that weave together to form a web of connection and possibility in contemporary Nairobi.</image:caption>
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      <image:title>Am I Going Too Fast - "Am I Going Too Fast?" a short film by Hank Willis Thomas and Christopher Myers</image:title>
      <image:caption>"Am I Going Too Fast?" is a digital tapestry of the intersecting worlds and interactions of craftspeople, shopkeepers, and ordinary folks whose lives have been transformed by new technologies, cell phone banking, and micro-finance; threads that weave together to form a web of connection and possibility in contemporary Nairobi.</image:caption>
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      <image:title>Am I Going Too Fast</image:title>
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      <image:title>Am I Going Too Fast</image:title>
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      <image:title>Am I Going Too Fast</image:title>
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      <image:title>Am I Going Too Fast</image:title>
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      <image:title>Am I Going Too Fast</image:title>
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      <image:title>Am I Going Too Fast</image:title>
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      <image:title>Am I Going Too Fast</image:title>
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  <url>
    <loc>http://www.willsylvester.com/the-long-march</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-09-07</lastmod>
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      <image:title>The Long March - The Long March (Short Trailer)</image:title>
      <image:caption>THE LONG MARCH Excerpt from an civil rights archival section 65′ X 14′ video installation 2013, Birmingham Shuttlesworth International Airport The Long March is a 27 monitor installation commissioned by the recently rennovated Birmingham Shuttlesworth International Airport. The installation incorporates depictions of movement, migration and marching from different eras in Alabama history, for instance, the Civil War, the Children’s March, the Selma Marches, football marching bands, the railroad, and migrations to the “Magic City.” The long row of monitors (the long march) track to the center of the wall and meld into a kaleidoscope. The kaleidoscope is tiled in the shape of a Camellia – the Alabama state flower. The Camellia, in this instance, is a repository of past and present motion that represents the flowering that grows out of movement. The kaleidoscopic mixes and melds the long march footage creating new emergent patterns, forms and colors. The travelers who will encounter the piece will be able to envision themselves as part of this mosaic that is symbolized through Alabama’s relationship to ‘the march’ as a form of historical progression.</image:caption>
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      <image:title>The Long March - The Long March (Short Trailer)</image:title>
      <image:caption>THE LONG MARCH Excerpt from an civil rights archival section 65′ X 14′ video installation 2013, Birmingham Shuttlesworth International Airport The Long March is a 27 monitor installation commissioned by the recently rennovated Birmingham Shuttlesworth International Airport. The installation incorporates depictions of movement, migration and marching from different eras in Alabama history, for instance, the Civil War, the Children’s March, the Selma Marches, football marching bands, the railroad, and migrations to the “Magic City.” The long row of monitors (the long march) track to the center of the wall and meld into a kaleidoscope. The kaleidoscope is tiled in the shape of a Camellia – the Alabama state flower. The Camellia, in this instance, is a repository of past and present motion that represents the flowering that grows out of movement. The kaleidoscopic mixes and melds the long march footage creating new emergent patterns, forms and colors. The travelers who will encounter the piece will be able to envision themselves as part of this mosaic that is symbolized through Alabama’s relationship to ‘the march’ as a form of historical progression.</image:caption>
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      <image:title>The Long March</image:title>
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      <image:title>The Long March</image:title>
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      <image:title>The Long March</image:title>
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      <image:title>The Long March</image:title>
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      <image:title>The Long March</image:title>
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  <url>
    <loc>http://www.willsylvester.com/question-bridge-black-males</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-09-07</lastmod>
    <image:image>
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      <image:title>Question Bridge: Black Males - Question Bridge: Black Males  / Los Angeles Film Festival 2015 Screening</image:title>
      <image:caption>Question Bridge: Black Males is a platform for black men of all ages and backgrounds to ask and candidly respond to questions that are rarely discussed in public. Through video mediated question and answer exchange, diverse members of this “demographic” bridge economic, political, geographic, and generational divisions. The Question Bridge campaign seeks to represent and redefine Black male identity in America.</image:caption>
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      <image:title>Question Bridge: Black Males</image:title>
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    <image:image>
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      <image:title>Question Bridge: Black Males - Question Bridge: Black Males  / Los Angeles Film Festival 2015 Screening</image:title>
      <image:caption>Question Bridge: Black Males is a platform for black men of all ages and backgrounds to ask and candidly respond to questions that are rarely discussed in public. Through video mediated question and answer exchange, diverse members of this “demographic” bridge economic, political, geographic, and generational divisions. The Question Bridge campaign seeks to represent and redefine Black male identity in America.</image:caption>
    </image:image>
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      <image:title>Question Bridge: Black Males</image:title>
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      <image:title>Question Bridge: Black Males</image:title>
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      <image:title>Question Bridge: Black Males</image:title>
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      <image:title>Question Bridge: Black Males</image:title>
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      <image:title>Question Bridge: Black Males</image:title>
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      <image:title>Question Bridge: Black Males</image:title>
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  <url>
    <loc>http://www.willsylvester.com/in-search-of-the-truththe-truth-booth</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-11-21</lastmod>
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      <image:title>In Search Of The Truth(The Truth Booth) - Truth Booth</image:title>
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      <image:title>In Search Of The Truth(The Truth Booth) - Truth Booth</image:title>
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      <image:title>In Search Of The Truth(The Truth Booth)</image:title>
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      <image:title>In Search Of The Truth(The Truth Booth)</image:title>
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      <image:title>In Search Of The Truth(The Truth Booth) - The Truth Is I See You</image:title>
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      <image:title>In Search Of The Truth(The Truth Booth)</image:title>
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      <image:title>In Search Of The Truth(The Truth Booth) - Greg Gutfeld of Fox News threatens to pop The Truth Booth</image:title>
      <image:caption />
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      <image:title>In Search Of The Truth(The Truth Booth)</image:title>
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      <image:title>In Search Of The Truth(The Truth Booth)</image:title>
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      <image:title>In Search Of The Truth(The Truth Booth) - In Search Of The Truth(The Truth Booth) Powder Mountain Summit</image:title>
      <image:caption>In August 2016, we had a chance to place The Truth Booth on top of Powder Mountain in Utah, thanks to Marshall @ Summit. This is a time-lapse of the last afternoon on the mountain.</image:caption>
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  <url>
    <loc>http://www.willsylvester.com/we-are-not-yet-free</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-11-21</lastmod>
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      <image:title>We Are Not Yet Free - We Are Not Yet Free... (Power of Words)</image:title>
      <image:caption>"The truth is that we are not yet free; we have merely achieved the freedom to be free, the right not to be oppressed." In Search of the Truth (The Truth Booth) is an installation comprised of a touring, portable, inflatable ‘Truth Booth’. The exterior is ironically shaped like a giant cartoon speech bubble with the word ‘TRUTH’ boldly printed on the side. The interior acts much like a photo booth, but serves to compile 2 minute long video responses from the public. Once seated inside people are invited to record their opinions and thoughts as they finish the statement: “The truth is...”. We are modifying this by using a quote from Nelson Mandela and asking people what it means to them. Throughout this long-term project the video footage will be compiled and edited into a video artwork. To expand and engage with audiences, the movements of The Truth Booth and sample responses will be tracked, edited, and categorized on a website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/55ec8d59e4b067c0c54f1fba/57d245b7be65947fb320c68e/57d2467a79a5a29ad7ce1b57/1473398394181/</image:loc>
      <image:title>We Are Not Yet Free - Truth Booth</image:title>
      <image:caption />
    </image:image>
    <image:image>
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      <image:title>We Are Not Yet Free - We Are Not Yet Free... (Power of Words)</image:title>
      <image:caption>"The truth is that we are not yet free; we have merely achieved the freedom to be free, the right not to be oppressed." In Search of the Truth (The Truth Booth) is an installation comprised of a touring, portable, inflatable ‘Truth Booth’. The exterior is ironically shaped like a giant cartoon speech bubble with the word ‘TRUTH’ boldly printed on the side. The interior acts much like a photo booth, but serves to compile 2 minute long video responses from the public. Once seated inside people are invited to record their opinions and thoughts as they finish the statement: “The truth is...”. We are modifying this by using a quote from Nelson Mandela and asking people what it means to them. Throughout this long-term project the video footage will be compiled and edited into a video artwork. To expand and engage with audiences, the movements of The Truth Booth and sample responses will be tracked, edited, and categorized on a website.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.willsylvester.com/black-righteous-space</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-11-21</lastmod>
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      <image:title>Black Righteous Space - Black Righteous Space (2012) @ JSG</image:title>
      <image:caption>Black Righteous Space is a sound reactive video piece that takes the Confederate flag dressed in Pan-African colors projected larger than life. When sound enters the microphone, that stands in the center of the room, the image kaleidoscopes and multiplies, twisting the symbol into new shapes and forms that are controlled by the music and speakers provided on an accompanying soundtrack. Periodic breaks in the soundtrack are provided for the viewer to participate in the manipulation of imagery.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Black Righteous Space - Black Righteous Space (2012) @ JSG</image:title>
      <image:caption>Black Righteous Space is a sound reactive video piece that takes the Confederate flag dressed in Pan-African colors projected larger than life. When sound enters the microphone, that stands in the center of the room, the image kaleidoscopes and multiplies, twisting the symbol into new shapes and forms that are controlled by the music and speakers provided on an accompanying soundtrack. Periodic breaks in the soundtrack are provided for the viewer to participate in the manipulation of imagery.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Black Righteous Space</image:title>
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      <image:title>Black Righteous Space</image:title>
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      <image:title>Black Righteous Space</image:title>
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      <image:title>Black Righteous Space</image:title>
      <image:caption>The Brother Moves On plays in front of sound activated video installation Black Righteous Space. Thus far it’s involved remaking the confederate flag in the colors of the negro liberation movement, the Neo Nazi AWB (Afrikaner Weerstandsbeweging) flag in iterations of colors based on the post-1994 South African flag, and the German Nazi Flag in iterations of colors of the rainbow. For the Johannesburg launch event of History Doesn't Laugh from Hank Willis Thomas, TBMO performed a set curated specifically to activate the Black Righteous Space pieces.</image:caption>
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      <image:title>Black Righteous Space - Black Righteous Space</image:title>
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  <url>
    <loc>http://www.willsylvester.com/photography-momentum</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-12</lastmod>
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  <url>
    <loc>http://www.willsylvester.com/blog-momentum</loc>
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      <image:title>Blog - Skykomish River</image:title>
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  <url>
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      <image:title>Pit Bulls (Dark) - 1/23</image:title>
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      <image:title>Pit Bulls (Dark)</image:title>
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      <image:title>Pit Bulls (Dark) - Twenty-One</image:title>
      <image:caption>Vestibulum id ligula porta felis euismod semper. Maecenas faucibus mollis interdum. Maecenas sed diam eget risus varius blandit sit amet non magna. Praesent commodo cursus magna, vel scelerisque nisl consectetur et. Etiam porta sem malesuada magna mollis euismod. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Lorem ipsum dolor sit amet, consectetur adipiscing elit.</image:caption>
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      <image:title>Pit Bulls (Dark) - 1/24</image:title>
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      <image:title>Pit Bulls (Dark)</image:title>
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      <image:title>Pit Bulls (Dark)</image:title>
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      <image:title>Pit Bulls (Dark)</image:title>
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      <image:title>Pit Bulls (Dark)</image:title>
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      <image:title>Pit Bulls (Dark)</image:title>
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      <image:title>Pit Bulls (Dark)</image:title>
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    <image:image>
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  <url>
    <loc>http://www.willsylvester.com/landing</loc>
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    <lastmod>2016-09-06</lastmod>
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      <image:title>Coming Soon</image:title>
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    <loc>http://www.willsylvester.com/intro</loc>
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    <lastmod>2016-11-21</lastmod>
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      <image:title>In Search Of The Truth (The Truth Booth)</image:title>
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      <image:title>In Search Of The Truth (The Truth Booth)</image:title>
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      <image:title>In Search Of The Truth (The Truth Booth)</image:title>
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      <image:title>In Search Of The Truth (The Truth Booth)</image:title>
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    <lastmod>2016-10-07</lastmod>
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      <image:title>Question Bridge: Black Males</image:title>
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    <image:image>
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      <image:title>Question Bridge: Black Males</image:title>
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  <url>
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    <lastmod>2016-10-10</lastmod>
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      <image:title>Am I Going Too Fast</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473286316661-ZL2FD3Q4N52GRZAW8SKA/Screen+Shot+2015-09-07+at+12.47.16.jpg</image:loc>
      <image:title>Am I Going Too Fast</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473286317370-4X9CDNRZTJAZBHDYNIIC/Screen+Shot+2015-09-07+at+12.47.34.jpg</image:loc>
      <image:title>Am I Going Too Fast</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473286317651-4TWOBHNQSYJUE1R2HDNY/Screen+Shot+2015-09-07+at+12.48.46.jpg</image:loc>
      <image:title>Am I Going Too Fast</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473286318067-CCE3QV4IA2MMWY81XIPG/Screen+Shot+2015-09-07+at+12.49.27.jpg</image:loc>
      <image:title>Am I Going Too Fast</image:title>
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    <image:image>
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      <image:title>Am I Going Too Fast</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473286318926-2GEKE92C3CW6CZBXC6NY/Screen+Shot+2015-09-07+at+12.49.58.jpg</image:loc>
      <image:title>Am I Going Too Fast</image:title>
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      <image:title>Am I Going Too Fast</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473286319216-Z1B2WHRE4DWY1U0DGS5T/Screen+Shot+2015-09-07+at+12.52.08.jpg</image:loc>
      <image:title>Am I Going Too Fast</image:title>
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  <url>
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    <lastmod>2016-11-21</lastmod>
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  <url>
    <loc>http://www.willsylvester.com/the-long-march-1</loc>
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    <lastmod>2016-11-21</lastmod>
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      <image:title>The Long March</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473287896989-UISDSN3D9EAVNYMP7MQE/TheLongMarch-28.jpg</image:loc>
      <image:title>The Long March</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473287897657-2E80K0YKMVDXMXGSBC5K/TheLongMarch-28.jpg</image:loc>
      <image:title>The Long March</image:title>
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    <image:image>
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      <image:title>The Long March</image:title>
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  <url>
    <loc>http://www.willsylvester.com/black-righteous-space-1</loc>
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    <lastmod>2016-11-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473399507435-V6YEA1FKFUTUB7SY1ZL1/23598Exhibition383-1020.jpg</image:loc>
      <image:title>Black Righteous Space</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473399507027-V3MWXTI3YXL8PSIVTCX3/35779Exhibition378-1020.jpg</image:loc>
      <image:title>Black Righteous Space</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473399507064-9NF54E0L98GHEFE6KY3T/35777Exhibition378-1020.jpg</image:loc>
      <image:title>Black Righteous Space</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55ec8d59e4b067c0c54f1fba/1473399507650-9C05WGUB7IFKQE44I6JQ/35784Exhibition378-1020.jpg</image:loc>
      <image:title>Black Righteous Space</image:title>
      <image:caption>The Brother Moves On plays in front of sound activated video installation Black Righteous Space. Thus far it’s involved remaking the confederate flag in the colors of the negro liberation movement, the Neo Nazi AWB (Afrikaner Weerstandsbeweging) flag in iterations of colors based on the post-1994 South African flag, and the German Nazi Flag in iterations of colors of the rainbow. For the Johannesburg launch event of History Doesn't Laugh from Hank Willis Thomas, TBMO performed a set curated specifically to activate the Black Righteous Space pieces.</image:caption>
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  <url>
    <loc>http://www.willsylvester.com/new-page</loc>
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    <lastmod>2020-07-06</lastmod>
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      <image:title>ABOUT</image:title>
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  </url>
  <url>
    <loc>http://www.willsylvester.com/read-me-momentum</loc>
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    <lastmod>2025-05-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/50130f1ae4b006ef41174e6b/1364402762192-UE201KJHI9WE8EOM9CE7/full-bleed.jpg</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/50130f1ae4b006ef41174e6b/1364402770384-7NVVCNY1E4KY5FRGE9WZ/centered.jpg</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/50130f1ae4b006ef41174e6b/1364402911229-8THC0ICQO2ULILMHQTE7/thumbnails-1.jpg</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/50130f1ae4b006ef41174e6b/1364402783963-ZAYYLS310QPNCZAI8LZ0/full-bleed-info.jpg</image:loc>
      <image:title>Read Me</image:title>
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